After three long but rewarding years, Architectural Intern Delaney Carmen has finally graduated with a Master’s Degree in Architecture at the University of Washington and has returned to SZ Design | Build to kick off her professional career.
I feel very lucky to have been a part of UW's Master's of Architecture program. Architecture is an ocean of knowledge an inch deep, and I feel that I've at least got a sea's worth by now. Through this program, I've come to understand the things I'm passionate about: craft, storytelling, and intentionality. In an age where AI, corporate greed, and conformity dictate so much of our lives (and consequently, our built environment), I have used my education to learn how to actively fight complacency and ensure that my work as an architect is purposeful and authentic. A few of my favorite works throughout the program have been largely driven by those same passions.
Get a glimpse into her experience at UW through her reflection below.
Informal - a low dining table designed and built from reclaimed Big Leaf Maple lumber as a study of sustainability and craftsmanship in the SCAN Design furniture studio. A studio largely focused on patience, consistency, and teamwork that inspired my love for woodworking and furniture design that I will carry into my future.
Resonance - A mass timber affordable housing project in Rainier Beach - a study where structure and systems become the design focus, rather than the obstacle, of the project. A marriage of efficiency and refinement that allows the building to harmonize with the rhythm of daily life.
Komorebi: A Vertical Evacuation Structure (VES) meets public library in Long Beach, WA. An experiential - and experimental - project that explores how the VES typology can provide both emotional and practical support in the aftermath of a tsunami. Rigid structure paired with oscillating screens, floors, stairways, and walls emphasize the idea of something that is solid and rational, yet slightly blurry - a representation of memory, and an homage to change that brings comfort even when it feels like the world is ending.
I believe that the hand is the most important aspect of our work as architects, and I am always working to improve my art in the pursuit of becoming a better storyteller and a better designer. I feel so fortunate to be working with Suzanne, who has not once faltered in her beliefs even when following them is the hardest path to take. I still have so much to learn but can only hope that my future work will carry that same passion as I enter the field and find - or make - my role within it.”
